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"Le genre du cinéma d'action est désigné comme tel pour la première fois en 1982 à la sortie du film Rambo. Sa généalogie est pourtant antérieure car il influence la plupart des genres hollywoodiens depuis la naissance du cinéma. L'auteur étudie notamment ce qui fait l'action, comment elle est créée et comment l'attention du spectateur est maintenue."

Films d'aventures --- Histoire et critique --- Histoire et critique.

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Autobiographie --- Roman allemand --- Histoire et critique. --- Histoire et critique. $$.

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Nouvelles --- Histoire et critique. --- Argentine.

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In 1836, John Wilson Croker, having immersed himself in dozens of contemporary French novels, warned his readers that 'she who dares to read a single page of the hundred thousand licentious pages with which the last five years have indundated society, is lost for ever.' It has become common to build an opposition between the attitudes towards fiction held in prudish Victorian England and permissive 19th-century France. The lack of a full-length study of 19th-century Anglo-French literary relations means, however, that the rejection of French novels has been greatly exaggerated. French Novels and the Victorians sheds new light on these relations by exploring the enormous impact of French fiction on the Victorian reading public. The book considers the many different ties built between the two countries in the publishing industry, identifying how French novels could be accessed and by whom, as well as who promoted and who resisted the importation of Continental works in England and why. The book reflects on what 'immorality' meant to both critics and the readers they sought to warn, and how the notion was subjected to scrutiny through censorship debates as well as the fictional representations of readers. It also tackles the contemporary preoccupation with literary influence, and explores how the extensive circulation of French fiction in England affected the concept of a 'national' literature.

Roman français --- Histoire et critique. --- Aspect moral.

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Los límites del Hispanismo: nuevos métodos, nuevas fronteras, nuevos géneros constituye un hito en el debate sobre la vigencia y la renovación de los estudios hispánicos. Por un parte, el presente volumen congrega aportaciones de jóvenes doctores en Hispanismo que desarrollan su labor académica en once países diferentes, al mismo tiempo que se demuestra la productividad de las nuevas aproximaciones y metodologías aplicadas a los objetos literarios y culturales hispánicos, en un sentido amplio. Por otra parte y consecuentemente, se opera no solo una ampliación del canon establecido, con la inclusión de obras hasta ahora poco estudiadas, sino también un cuestionamiento decidido de las categorías que subyacen a la propia noción de canon, como literatura / no literatura, alta / baja cultura o nacional / no nacional.

Littérature espagnole --- Littérature hispano-américaine --- Littérature cubaine --- Littérature portugaise --- Histoire et critique. --- Histoire et critique. --- Histoire et critique. --- Histoire et critique.